I was watching a make-up artist today telling people how to do the same make-up or even better with what they had at home and not buy ridiculously expensive products just to try and match his work.
Sometimes people ask us, editors, if they should buy a better camera, a "pro", if that will help them take better pictures.
Evidently we can not tell someone to buy a camera or not buy one but here is some insight on how you can have perfectly good images with a simple compact as well as with a good camera.
First let's see the clear differences:
- compacts have a smaller sensor on which many pixels are crowded - compacts have one lens that is supposedly good for all
- using high ISO when shooting on compacts is murdering your pictures
- they are usually too light and small to feel them stable in your hands
- lower range of capabilities and slower software wise
From the list above you'd say they don't stand a chance in front of mighty DSLR cameras but I would beg to differ. Now lets see how we can make good pictures with a compact camera.
First and foremost you have to know your camera, so test it in different lights and with different settings. I would recommend a compact that also has a manual mode or at least AV or TV modes.
After you test the camera you can see where most noise happens and most distortions, these are the main issues with compacts and the main reasons of refusal.
To achieve a noiseless image you can overexpose a bit and use a small ISO value, than you will not have to increase the brightness in post processing. If you can not avoid noise you can downsample your image, this will make the noise appear like grain from film scan, making it more appealing.
To achieve an image without distortions avoid to shoot against light sources, you won't have the dreaded fringing on the edges of things in your images. If you do happen to have fringing you can remove it by turning it black and white or with a software that removes fringing.
Compacts have a built in flash, use it as fill light for images taken outside, it will get you rid of strong shadows produced by an overzealous sun.
Remember that your compact's lens is probably best at an intermediate focal and produces most distortions at the lowest and highest value.
Using a closed aperture, like F7.1 for example, will help you achieve crispier images.
Avoid using filters from image processing programs to make images crispier, and in general, avoid filters, they tend to distort the image.
Shoot RAW if your camera has this capability, your work will be much much easier.
Be creative with lighting, create soft images, with soft light, like covered lamps for example. Keep in mind though, the better the light quality, the better the image will be. Worst lights I can think of are halogen flood lights, you can only obtain black and white images from them because the yellow tint they give. Even if you try to even out the white balance they still look weird. You'd be better off with two lamps with cold eco lights.
Your best friend is the sun.
Get a small tripod, doesn't have to be expensive, it will help you stabilize the camera when you need to, or when the light is scarce.
Conclusion is, if you use your camera to it's full capabilities you can obtain great images with it. Images that sell.
Some useful info from here. Can eliminate some of the mistakes that I make, especially shooting against the light. (I used to wonder what is this fringing on the edges ) By the way my one and only upload so far (and only sale) was clicked with a compact Camera.
I find this blog has excellent advice. I just bought a Canon G11 last year, and still learning some of the features. I have always had a compact camera, and decided if I could learn to use the G11 with manual control, and take good pictures, then later on when I could afford it, I could move up to a DSLR. Thank you for sharing, this has given me more ideas.
This is excellent advice! Thank you!! I thought I had figured out all the nuances of working with my compact camera, but you brought up some points I hadn't thought of (like converting to black and white). FYI, I worked with what I had for a long time, before I could afford the SLRs I use today. And working with what I had really taught me a lot about how to take pictures. Now, there are times I just want the convenience of my compact camera. So, to me, understanding the compact camera is not just for novices, but for experienced photographers who want to feel satisfied about the pictures they get from their compact camera. I do strongly recommend watching the histograms, if the compact camera has one. That has made a big difference to me in noise control. I really try to get those pixels as far right as I can in the histogram, without overexposing the highlights. The beauty of my compact camera is that I have a live histogram before I take a picture.
Really good advice! You can't excuse your not so good photographer's skills with "having a lousy camera". If you are serious about stock photography you need to improve not only your equipment, but especially your artistic eye and trading knowledge as well. And those last are more important than having a "good camera". DSLR helps a lot, yes, but I don't think I would have such photoshopping skills now, if I wouldn't have to train them to make my PS camera shots less noisy and more perfect. Work with what you have and improve your skills what don't depend on equipment and you can see overall improvement and then afford gradually more and more better equipment as well. I believe thousands of experiences can relate to that. It's a really good advice, and thank you for the article, Nikitu!
Dimol, this article is for photographers who just started and can't afford a DSLR camera, it's not for well established microstock photographers who can afford a camera. I myself started with a compact camera, as I said numerous times, and the images I made with it helped me buy a DSLR. I am just talking about a sensible approach and not jumping into buying a DSLR on day one, when you don't even know if you are going to get any money out of it.
Titania, yes, G10 is quite similar to G9 they are both in the high end of compact cameras and they do provide great quality.
unfortunately, "work with what you have" - bad advice. Think of thousands of competing photographers with DSLR cameras who don't need to fight noise, artifacts, etc., don't need to overcome the limitations. If stock is just an entertainemt, then yes, you don't have to care, but if you want to earn money, than you have to buy a good camera.
My whole portfolio of 1,407 images are made with compact cameras: Canon Powershot A700 and Canon Powershot G9. I sometimes have extra work by cleaning the images of noise and making a pure white background or working on curves and levels to improve illumination, but I'm satisfied with my G9
PS.I've seen that you, Ioana, work with a Canon G10 ;) among other cameras. Do you have pics on your portfolio made with that camera?
actually my top 3 best selling images are from my compact camera. (one is my first level 4) . . . a "pro" camera can give you a lot more creative freedom but i think its not the key to good selling images.
PS Don't you hate it when you take good photos people ask do you have a good camera? you wouldn't ask a good cook "do you have a god pot", would you!? :)
An excellent post about how to best use a compact. My experience with compacts and DSLRs is that my workflow for compact camera images was much more involved (I had to do things like you mention: downsample, watch noise, crop, fix CA, etc.).
Snow climber ... look, this is an editor choice image, and is made with a compact camera (Nikon) E8700. Unfortunaly, because the zoom option too limited, i had to crop into a smaller image, to be the best subject.
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