Two Pass 'Lab' Sharpening Technique
posted on 20th of october, 2010
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I don't usually sharpen my images before submitting them for consideration as stock imagery. However there are times when a photo can benefit from a little sharpening. Here's a method, in Photoshop, to sharpen your images using a two step process that deals only in the luminance channel of your photo, and employs a two step process that first addresses contrast, and secondly edge detail. Also using this method results in a much lower color shift if preserving color balance is important to you.
The first step is to bring your image into photoshop and immediately duplicate the background layer by pressing Ctl + J on a PC or Cmd + J on a Mac. With the duplicate layer active, go to 'Image/Mode' on the top menu and select Lab color as your color mode. (It will ask you if you want to flatten the image, select 'do not flatten') Then go to the 'Channels' tab and highlight just the 'lightness' channel. Go back to the Layers tab and make sure that your 'Layers 1' layer is still active. Your image now will appear as a monochromatic image, don't worry its supposed to at this point.
Now go to 'Filters/Unsharp Mask' and apply a sharpening pass using settings that employ a high Radius setting and a relatively low Amount setting. For example a Radius of 145 and an Amount of 11. (Depending upon your image you may want to increase or reduce either of these settings till the contrast sharpening looks acceptable to you. Don't overdo it.)
If you wish, you may duplicate the Layers 1 layer (or not) and then, with the new layer copy active, run another Unsharp Mask filter pass. This time however, use just the opposite process for sharpening. In this case use a low Radius setting of about 1.2 to 1.5, and a higher Amount setting of maybe 80 to 100. After you've applied this second sharpening, go back to the Image,Mode menu and change the mode back to RGB. You will be once again prompted to flatten your image or not. If you wish to retain your image with the ability to adjust the two separate sharpening layers then select 'do not flatten.'
The resultant image will once again be displayed in color and, in most cases, render a sharper picture with less noise and color shift than if you employed a standard sharpening using RGB mode with all color channels active.
Be judicious no matter what sharpening you use as it can be overdone easily and any sharpening process if not reigned in will garner you a over filtered rejection.
Have fun.
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Tags: color lab sharpen shift technique
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Comments (6)
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Very interesting, thanks for sharing, i will try it tonight!
- posted by
Laurasinelle
on October 21, 2010 |
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I tried it last night and got good results. Based on your experience with this method, when do you use it versus other sharpening methods, or do you only use this method? When do you find that you use two passes rather than one, or is it just something you developed a feel for? Thanks!
- posted by
Adeliepenguin
on October 21, 2010 |
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Another thing to remember while doing this process. Whenever you duplicate your layer to do a second sharpening, go back and make sure that only the lightness channel is selected under Channels when in the Lab mode. If you don't duplicate your layer for the second sharpening pass, it won't be an issue probably.
- posted by
Lightart
on October 21, 2010 |
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Thanks for that useful blog; I'll try it out as all images I have tried to sharpen until now have been - just as you said - rejected for over filtering.
- posted by
Rosedarc
on October 21, 2010 |
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thanks for sharing - will def try it out :)
- posted by
Frantab01
on October 21, 2010 |
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Very interesting. I have not used Lab for sharpening...I will try it tonight. Thank you for sharing.
- posted by
Adeliepenguin
on October 20, 2010 |
Comments (6) |
This article has been read 681 times. 4 readers have found this article useful.
Photo credits: Lightart. |
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Lightart confidential info
>Creation stands on its own. Any meaning or value is derived by each viewer solely from within the boundaries of the work itself. Photography, to me, is simply a wonderful method to express that primal desire to reflect and thus express truth or beauty (some say they are the same thing). It also may be simply the desire to convey a profoundly moving effect. To that end, the viewer either 'gets it' . . or is not moved.
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