Full Body Isolation - A Quick Tutorial

posted on 16th of october, 2008

So anyone who has submitted to microstock for more then a couple weeks already knows that one of the most popular styles of imagery offered here is the Isolated Model over white.

While it is not horribly difficult it does take some skill to master and without a little guidance the trial and error involved in finding the right balance can be frustrating and time consuming.

Like anything else in photography there are many different ways to arrive at the end product but at Vegas Vision Studios we use light to create our full body isolations.

The biggest mistakes newcomers to this style of photography make is not using enough light on the background. It takes 1-2 full f/stops more light on the background then on the subject to create a pixel perfect isolation in the camera

The next biggest mistake a newcomer to this style makes is not adequately controlling all that light bouncing off the background. If you don't have enough room to provide 8-10 feet of distance between your model and the background lights you are going to have over exposure issues on the highlight areas pf your model due to the excessive wrap around light from the back ground. How do you control the light? Well now that would be another lesson wouldn't it :-)

To get you started though here is a little diagram to show you how we light the average isolation set at Vegas Vision Studios.

While the diagram alone won't give you everything you need it should put you well on the way to being able to get your head wrapped around one of the most popular styles of shooting in stock and commercial photography.

Since the Blog won't allow posting of images not on Dreamstime you can get the Vegas Vision Studios Lighting Diagram for

Full Body Isolations HERE

Comments (10)

Posted by Strotter13 on April 05, 2011
Excellent article and diagram. Thank you. What do you use for the models to stand on? Thanks.
Posted by Rebeccaosborn on October 25, 2008
good blog and advice, good links too!! Thanks!
Posted by Drizzle on October 22, 2008
Cheers, always struggle with this

Sizzle Creative Agency Manchester
Posted by Photoshow on October 20, 2008
Well of course Eromaze, afterall shooting subjects on somewhat clustered backgrounds is what id do all the time ;-)

I will give you a couple hints in that direction though

1. Color channel Masking - Look up Russel Brown he has a couple of great advanced masking technicque tutorials online

2.Color Range and or Replace Color when the background is all within a similar color range.
Posted by Littlemacproductions on October 18, 2008
Thanks Bobby!
Posted by Jacetan on October 17, 2008
Thanks for sharing...
Posted by Karimala on October 17, 2008
The diagram explains everything perfectly...thanks, Bobby! :-)
Posted by Keki on October 17, 2008
thanks for the help!
Posted by Emicristea on October 17, 2008
Cool hint!
Posted by Emicristea on October 17, 2008
Cool hint!

Comments (10)

This article has been read 5686 times. 6 readers have found this article useful.
Photo credits: Bobby Deal.

About me

I am a creatively driven and artistic freelance commercial photographer with 15 years of full time commercial photography experience. This experience includes both studio and location photography and I am equally comfortable in either environment. In addition to working as a commercial photographer, I am also a recognized photography instructor and have in the past 9 years successfully produced in excess of 800 photographic lighting, posing and post productions training sessions for small to medium sized groups of aspiring photographers and interested individuals in Nevada, California, Colorad... [Read more]

Loveland, US

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